Sunday, February 24, 2013

Academy Awards 2013 -- The People

The People

I've said this before: it's hard to like these people.  They are beautiful but vapid.  They simultaneously want you to think about them in every waking moment, but to also avert your eyes when they cross the street.  They are artists who also need to question the intelligence of every jury when a convicted criminal might evoke the least bit of sympathy.  They latch onto false causes like "vaccinations cause autism" because their publicists tell them it will be good for their "Q score".  Fuckers.  So let's spend a Sunday celebrating celebrity!

Here's a guy you can get behind.  Kevin O'Connell is a 56-year-old guy from Long Island.  He has been nominated for 20 (count 'em, twenty) Oscars for Sound Editing.  Know how many he's won?  Zero.  That's right -- this guy is the Academy's Susan Lucci.





And he seems like a really nice guy.  He says "Golly" without irony!  In 1996, he was nominated twice -- for The Rock and Twister -- and lost to The English Patient.  The English Patient?!?  That movie where the formerly good looking guy sits around festering in his wounds for 3 1/2 hours and still gets laid?  How does that merit better Sound Editing than Twister -- there were flying cows.  FLYING COWS!  He got the perfect mix of mooing, high-speed winds and Bill Paxton yelling "Hold on!"  You could hear the bovine fear as Bessie flew past the pick-up truck.  Maybe he was punished because we could still hear Jami Gertz speak.



Are you telling me that the voters are that discerning about Sound?  That in each and every one of those 20, there was something deficient about the signal-to-noise ratio or too much emphasis on 1KHz frequencies?!?  Please, let's get him to engineer sound in a Spielberg movie, starring Meryl Streep as a former prostitute with a heart of gold who meets an emancipated slave who rescues a small child from poverty, survives Hurricane Katrina, travels back in time to kill Hitler, then reveals himself as a learning-disabled gay man.  We're with you Kevin -- 1 for 21!  1 for 21!

Best Actress

People Trivia (read to the bottom for answers -- come on, we both know you're not going to read to the bottom on your own!):

1)  1982 was the strangest year for "Best" performer awards.  It was the only time in history three of the nominees had done the same thing in their films.  What was it?

2) What woman was nominated 35 times, winning 8 statues?  (Hint: it's not Meryl Streep).


Emmanuelle Riva, Amour -- She dreamt of being an actress since the age of 6, but didn't get her first Oscar nomination until the age of 85?  Quvenzhane Wallis says "dans ta face, vieille salope!"

Jennifer Lawrence, Silver Linings Playbook -- I am completely biased in this category.  My daughter and I don't agree on a lot in pop culture, but we both like Jennifer (Deidre being influenced much more by Hunger Games).  I liked Lawrence in Winters Bone, but she was covered in muck most of that movie.  She looked cute at the Oscars two years ago, but A) she was a teenager and B) she was blonde.  Now she plays a 20-something, oversexed brunette from Philadelphia?  My wife used to be all three of those things!  You get my vote (but ya don't need to be obnoxious about it.)

Jessica Chastain, Zero Dark Thirty -- Are CIA spooks really this good looking?  A flock of this kind of spy roaming around the Middle East would do a lot more to end terrorism than drone strikes.  

Naomi Watts, The Impossible -- Impossible to say anything critical if you didn't see the movie.  I'd solicit comments, but you didn't see it either.  Naomi Watts fun fact: she was voted the 14th Sexiest Female Movie Star in the Australian Empire Magazine.  Couldn't even make the Bakers' Dozen?!?  Pass.

Quvenzhane Wallis, Beasts of the Southern Wild -- Not a big fan of kids who work for a living.  Something about the type of adult they usually turn out to be.  But this little girl was compelling.  Our daughter, Deidre, was in a musical at age 5.  But her lines were "uh, uh" and "I'm not scared"; and the fatherly abuse was limited to "do your homework...stand up straight".  Still, no hardware for Deidre, no hardware for Quvenzhane.


Best Actor

People Trivia, continued:

3) What living man was nominated the most times (at 45!)?  (Walt Disney was the most nominated individual with 48).


Bradley Cooper, Silver Linings Playbook -- He played just the right amount of off-center.  You yelled at the screen when you saw him working against his own interests; you rooted for him to get the girl -- the right girl; he was a victim, but also guilty.  It was brilliant.  But Pat Solitano is not on Mount Rushmore.  No statue (and no whining -- people take you seriously now -- after Hangover III, you might've wound up in Jon Lovitz Land).  

Denzel Washington, Flight -- It's old-hat to play an Oscar-worthy drunk, but Denzel's character is really about truth.  It was a brilliant performance that was only possible thanks to the character played by you-know-who.

Hugh Jackman, Les Miserables -- Who knew he could sing (or maybe it's not a strength, but by comparison to Russell Crowe, he sounded like Pavarotti)?  Nice job.  No gold.



Joaquin Phoenix, The Master -- this guy's siblings are named Rain, River, Summer and Liberty.  What happened to that theme?  A momentary lack of creativity?  At least he's better looking than Liberty.  





Daniel Day Lewis, Lincoln -- First of all, we should add the "Ian McShane Brits Play Americans Better Than Americans" award:


Lewis channels Lincoln so effectively that we are sure we're listening to the real Honest Abe.  Spielberg admitted Lewis was intimidated playing our most beloved president, and rightly so.  But DDL's performance as an historic figure is topped only by Streep's coverage of Julia Child and Margaret Thatcher (and, there, only because we were familiar with the real characters as our contemporaries).  This is one for the ages.

Best Supporting Actress

Hollywood likes to pat itself on the back for being forward-thinking, enlightened.  Hattie McDaniel won this category in 1939, decades before the Civil Rights movement.  George Clooney got impassioned about it in his acceptance speech for Syriana in 2006:

"…we are the ones…this Academy, this group of people gave Hattie McDaniel an Oscar in 1939 when blacks were still sitting in the backs of theaters. "


But did you know that Hattie, herself, was sitting at the back of the theater?  The Coconut Grove Hotel was still segregated when the dinner took place.  Oh, and her contract with David O. Selznick specifically limited her to playing maids or servants on screen.  Don't strain your arm reaching for your back, Hollywood.  BTW, if you want to see a graceful -- and brief -- acceptance speech, check this out:





Sally Field, Lincoln -- She allegedly put on 20 pounds to play the more portly Mary Todd Lincoln?  Uh, you were wearing giant 19th century dresses with hoop skirts, so who could tell (or was this just campaigning?  Come on...we expect better from our Nun, flying or otherwise).

Jacki Weaver, Silver Linings Playbook -- I liked her performance very much, but Oscar-worthy or reflected glory from DiNiro and Lawrence?  She was terrific in Animal Kingdom.  Just good here.

Anne Hathaway, Les Miserables -- Did you know that Prostitute is the most commonly nominated role in Best Supporting Actress?  This is the 18th time a prostitute was nominated (vs. 15 for nuns).

Amy Adams, The Master -- Except for The Fighter, I find Amy Adams' performances cloying.  In this case, I didn't find it at all -- as The Master wasn't playing anywhere in the hemisphere in which I live.

Helen Hunt, The Sessions -- Somebody decided to take their body out for a spin before she hits 50.  No complaints, here.  She's no Jennifer Lawrence, but I wouldn't kick Helen Hunt out of bed (mostly because I'd be in handcuffs on my way to jail for breaking into her bedroom).  The shame was that John Hawkes didn't get a nomination for this movie.  But having Helen Hunt talk about sex as if it were assembling an Ikea dresser made up for it.


Best Supporting Actor

Choosing this space to mention not only the all-time best Oscar trivia question, but one of the best trivia questions ever:  What actor only appeared in 5 films his entire career, but all 5 were nominated for Best Picture?  John Cazale (The Godfather; The Conversation; The Godfather II; Dog Day Afternoon; The Deer Hunter).  And you thought he was weak and stupid.


Robert Di Niro, Silver Linings Playbook -- Loved him in this role (and suspect he'll win, though he's not my choice).  I grew up knowing guys like this -- superstitious but self-assured; confident but worried; tough but tender-hearted.  I would like to watch an Iggles game with Pat, Sr.

Alan Arkin, Argo -- I loved him in this movie.  He was funny in Little Miss Sunshine, but this was even better.  He's hysterically funny, believably arrogant.  (Trivia: Arkin co-wrote Harry Belafonte's hit "Day-Oh".)  I suspect DiNiro will win, but I think Arkin is more deserving.

Christoph Waltz, Django Unchained -- A compelling performance that is the other side of the Col. Hans Landa coin from Inglorious Basterds.  Hard to criticize this guy, but this is not as original as the Arkin or DiNiro performances.  will be overlooked because of Bale's portrayal of Dickie Eklund.

Phillip Seymour Hoffman, The Master --  Love this guy, and genuinely annoyed I couldn't see the movie (and was completely distracted watching Les Miz while Sasha Baron Cohen was singing "Master of the House...")






Tommy Lee Jones, Lincoln -- Doesn't this guy deserve something for wearing a merkin on his head for three hours?



Best Director


Steven Spielberg, Les Miserables -- You're going to need a bigger mantle.

Ang Lee, Life of Pi -- I am amazed that a guy who could make Brokeback Mountain could also do a wonderful job with this fantasy.  I'm also impressed that he would even try -- yes, CGI is very advanced today, but you have to make characters we can relate to.  Well done.

David O. Russell, Silver Linings Playbook --  Brilliant directing job on a rom-com with a story that is simultaneously serious and farcical.




Michael Haneke, Amour -- I am unfamiliar with his work, but will you look at this guy?  Looks like Christopher Lee just survived a concentration camp.  No way I'm saying anything negative about this doppelganger.






Behn Zeitlin, Beasts of the Southern Wild -- Really excellent performance for a first-time director at age 30.  Maybe there's hope for that first book at age...oh, nevermind.  


Trivia Answers:

1) 1982 featured three Actor noms who played cross-dressers, all of whom should have won but did not (Dustin Hoffman for Tootsie; John Lithgow for The World According to Garp; and Julie Andrews, nominated for Victor/Victoria as a payback for not being nominated for S.O.B.  Mary Poppins shows her breasts, she should get nominated.  Kathy Bates got a nom this way and no one wanted to see her naked).

2) Edith Head, costume designer, was nominated 35 times, winning 8 statues.  Don't you think it caused confusion in the day of the casting couch, having a director yell "Get me Head!"?

3) John Williams has been nominated 45 times (and won 5) for score.  He did every Spielberg movie except Twilight Zone (I'm sure he was relieved) and The Color Purple (too white, perhaps?).  He also did the theme to 60s TV show Lost In Space and played the famous piano line on Henry Mancini's Peter Gunn theme.  When it comes to a memorable melody, this guy makes Paul McCartney look like Ringo.

Also, did you know:
40 of the 50 oldest nominees ever have occurred in the last 30 years?  I don't know what this means -- better health in seniors?  Or poorer prospects for retirement? 

Saturday, February 23, 2013

Academy Awards 2013 -- The Movies

Oscar Gets Its JuJu Back 


 I'm a Philly sports fan (I lead with this fact to elicit sympathy) and even I had to look up "JuJu". I was afraid to say it out loud for fear it was an anti-semitic remark. Turns out it is of West African mythological origin. In Silver Linings Playbook, JuJu is central to the theme. In Philadelphia sports, like karma, JuJu is a bitch.  SLP is a good example of the rebound of the Academy Awards.  The media have been writing the obit for this show for several years now (if the show were a murdered, 20-something blonde woman, it would've gotten a lot more coverage) thanks to critically acclaimed but "don't need to see THAT again" movies like The Help, A Serious Man, Black Swan -- well, except for 1:07:30-1:09:22.

The Oscars have everything we crave as movie fans this year:

Violence, but in a socially-redeeming setting that doesn't make us look out of touch in a post-Newtown world:


  • Django Unchained
    •  Emancipated slaves make it ok...besides, we stayed awake through Lincoln
  • Zero Dark Thirty
    •   Show me the American who doesn't get choked up when they kill Bin Laden -- wait,   you knew that was the point of the movie, right?

Sexy-Time, but in a way that gets us more sex at home, not less:


  • Bradley Cooper
    •  Putting him on the list to look like I'm evolved enough to be comfortable while my wife is squirming in her seat when he's on screen -- hey, I can stop shaving, too!
  • Jennifer Lawrence
    • Guinness-Book-worthy combination of:
      • Just old enough
      • No where near that stupid heroin-chic look
      • Just a little bit crazy
  • Helen "I Can Be Nude The Whole Movie at Age 49" Hunt 
    • It was completely unnecessary to do the bath scene at the Temple, but telling my wife with sincerity that her birthday suit looks better than HH's got me some
  • The tiger in Life of Pi
    • So, I got a little caught up in the CGI (f@#$ you, Ang Lee!) 

History, the way we imagine it happened:


  • Argo
    • Thank you for leaving out the emasculating botched rescue attempt with the helicopters crashed in the desert.  U-S-A!  U-S-A!
  • Lincoln
    • Yup, this is precisely what we imagined happened (and the reason we stared at Michelle's bra strap for 8 semesters of US History)
  • ZDT
    • We already knew that torture works when we really need it to.  







Justice, and not that stupid store that my daughters wish they lived in:

  • Argo
    • Finally, proof-positive that everything good that Canada does really comes from US
  • Flight
    • In the end, brutal honesty (or, if we're being honest with ourselves, our fantasy that, if they'd just let us fly drunk, we could do a 360 in a 747!)
  • The Hobbit
    • "I told you not to make a fourth movie, you fat, bearded slob!" -- George Lucas

Best Original Screenplay 


As I've said previously, this is where the "sleeper" films come from.  (Apparently so does the bad grammar.)  I've gone back to review many of the Oscar-nominated films from previous years -- the ones that are most worthy of a second (or third or fourth) viewing are the Screenplay noms.  Don't believe me?  Go watch In the Loop; In Bruges; Inception; In Manhattan.  These all have legs.  Are you really going to sit through the The Departed again?!?

Amour
I'm sure this is terrific, but the movie industry needs to cut me some slack.  My wife is distracted by subtitles (I can count on her to ask "do you like this movie?" 15 minutes into most of them...it's our code for "get me to a sushi bar or make your shoulder into a down pillow and refrain from moving until this is over").   Worse, still, it's in two theaters I can get to by car -- one in Manhattan and one in Camden, so I can pay $60 to see a movie or risk having my car stolen.

Django Unchained
It's a great premise (and I'm a QT fan), but the mash-up concept of everything Quentin has ever liked -- spaghetti westerns; spy movies; dime novels; smarmy German people -- can be a little overwhelming.

Flight
Wonder which movie is grounding more passengers, Flight or Zero Dark Thirty?

Moonrise Kingdom
Clever, quirky movie that we both loved.  I loved it because it was off-beat ("You can touch my chest. I, uh... I think they're gonna grow more.")   Donna loved it because she caught up on her sleep.


Struggling with the "original" part here.  It's more like newspaper transcripts.  And wasn't there a Navy Seal book?  Still, I suspect "For God and country..." seals the deal.


Best Adapted Screenplay

I lead with the writing categories because this is the area I relate to the most in movies.  Think of it as the skill I lack the least -- I am much closer to being a failed writer than I ever was to being a failed actor, director or producer.

This is also the "plagiarism is good" category (and we wonder why Thomas Friedman keeps telling us our society is doomed), so it feels like there's a short-cut to get in on this one.  U-S-A!  U-S-A!

Argo
Some people are upset that the historical context movies took liberties with history.  Hey, this ain't no JFK rewrite.  Besides, what American doesn't love seeing a bunch of dopey Iranian thugs racing down the runway in a pickup truck watching a 747 take off.  U-S-A!  U-S-A!

Beasts of the Southern Wild
Clever, quirky, disturbing.  Clearly deserving of an award, but likely to walk home empty.
Trivia Alert!  What are the biggest "losers" at the Oscars, in terms of most nominations vs. fewest wins?  Read the rest of the post to find the answer (and give me a break -- this drivel doesn't sell any ads!)

Lincoln
Lovely period piece; amazing performances by Sally Field, Daniel Day Lewis and Tommy Lee Jones.  Oh, but this is a writing category.  If DDL didn't channel Lincoln so effectively, this wouldn't get a nomination as it was a three-hour movie with two hours of monologue.  If Tony Kushner wins a statue, he should just give it to the three principles on a rotating basis.

Life of Pi
This is only cool because Yann Martel, who wrote the book (and makes a fabulous armagnac), is nominated.  Clever story, which I had to think about at the end (and, in this case, not just because I'm a dumbass).  Winner, winner, Pi dinner.

Silver Linings Playbook
It's got the Eagles.  It's got mental illness.  It's got superstition.  It's got dancing.  It's got Upper Darby (which is my favorite part of Darby -- her lower regions have got some hard miles on 'em).  No statue because it is too heavy in the people department -- all four acting positions have noms, which hasn't happened since 1981's Reds!

Best Picture 

Lincoln
Might've gotten the statue, but it's a legislative thriller (read: no thrills).  The relationship drama between Abe & Mary Todd (along with the struggles with his sons) provide good counterpoint, but this one would be in third or fourth place if such a thing existed (also known as "A F@#$ing Miracle" to the NY Mets).

Life of Pi
In another year, this takes it.  But Thomas Friedman has got us good and afraid of India, so a little xenophobia kills any chance here.

Silver Linings Playbook
Best Picture?  You make me laugh -- like Silver Linings Playbook!  Which is why it won't win.  This is the Academy of Motion Picture Arts and Sciences, for the love of Jebus.  It's an ACADEMY (one of Alaina's third-grade vocabulary words, which caused her to ask where these people go to study movie making).  And they are both Artists AND Scientists.  So these are not a bunch of vapid, self-absorbed beautiful people.  It is a collection of modern day Leonardo DaVincis!  Of course they can't have a comedy win.

Les Miserables
Qu'ils mangent de la brioche, cause they ain't getting any hardware in this category.

Argo
1979.  A nice flashback for the Baby Boomers: you can sit in an AMC theater and remember your AMC Pacer; pop-culture is defined by Donna Summer; Jimmy "Malaise" Carter is president; and a stampede at a rock concert in Cincinnati leads to the creation of the greatest knock-knock joke of all-time:

"Knock knock."
"Who's there?"
"Trampled by the."
"Trampled by The Who?"

We remember how much we hated that stupid Ayatollah.  Argo wins!

Zero Dark Thirty
News compilation that is well edited (sans the Jon Stewart snippiness).  One excellent bad-guy-kill.  No statue.

Beasts of the Southern Wild
Interesting.  Entertaining.  They even avoided the obvious Katrina exploitation opportunity.  But this is as much recognition as the Beasts get.

Django Unchained
Mash-Up of all trades, winner of none.

Amour
When the moon hits your eye like a big pizz pie, that's Amour.  Sorry...I got nuthin'.


The Other Stuff


Cinematography

Anna Karenina is nominated here.  This adaptation of Tolstoy's novel is presented as a theater production inside a movie -- most of the time.  Wins the award for the fastest "Do you like this movie?" from Donna.

Skyfall was one of the best Bond movies ever, but they gotta give something to 3.14.

Costumes

A period piece full of British accents usually wins.  This year is no different.  Anna Karenina takes it.  Pay no attention to that Russian author and Russian setting behind the movie.

Oscar Show Drinking Game Entry:  Over/Under on how fast Donna says "I hated that movie" here, 10 seconds.

Makeup

Throwing dirt all over a bunch of actors is a short-cut (and, in the case of Anne Hathaway, a crime), so no statue for Miz.  Suspect The Hobbit will take it just so Peter Jackson doesn't lose his mind and place Jar Jar Binks in The Hobbit: The Desolation of Smaug.

Film Editing

How do I know who did the best editing without seeing what's on the cutting room floor?  I guess we go with the one that gave me the least whiplash during the viewing:  Silver Linings Playbook.  Loved the jogging scenes when Jennifer Lawrence whooshed on screen -- great job...uh.......people who made Jennifer Lawrence.



Music

Found myself humming the score to Life of Pi when it ended (which was unfortunate, because it was 2AM and my wife couldn't successfully incorporate that tune into her dream), so thinking it will win here.  I am a big John Williams fan, but he's got 48 nominations.  Time for somebody else, ya big talented hog!

Song

Adele's got this wrapped up (for Skyfall).  It's our way of apologising to fat people for taking away their 128 ounce soft drinks in Manhattan.

FX

First, a word on Prometheus (which had amazing FXes...uh, FXing.....FXed well?)  I enjoyed this movie, but A) could it have stolen any more stuff from 2001 and B) could it make up its mind if it was a prequel to Alien or not?!?  Sheesh!




Seems unlikely that 3.14 will lose here, but a strong showing this year with The Avengers and Hobbit here as well.


Trivia Answer:  The biggest "losers," statistically speaking would be 'Becket' (1964) and 'Johnny Belinda' (1948), both of which went 1 (win) for 12 (nominations). The former won its sole Oscar for Best Screenplay, and the latter went home with Best Actress (Jane Wyman). The 1 for 11 club (aka the movies you've actually seen) includes 'Chinatown' (1974, screenplay), 'Mr. Smith Goes to Washington' (1939, original story), and 'The Pride of the Yankees' (1942, editing).